The entirety of this dramedy feels like a lame excuse to have De Niro and Hathaway lightly spar in an inoffensive light-hearted comedy.
“Everything I learned I learned from the movies.”
― Audrey Hepburn
“Everything I learned I learned from the movies.”
― Audrey Hepburn
All in film reviews
The entirety of this dramedy feels like a lame excuse to have De Niro and Hathaway lightly spar in an inoffensive light-hearted comedy.
What "Apocalypse Now" was to the Vietnam War, this dark crime drama is to the morally ambiguous war on drugs.
No single word adequately describe what may be the best popcorn flick of 2015 - a smart, funny, harrowing, intense, exciting and joyous movie that is flat-out entertaining.
Stephen Tobolowsky is simply one of the great storytellers of this generation.
Dirty take on a rom-com just doesn't have enough heart, leaving it little more than a raunchy flick.
An affectionate and hilarious swipe at the arrogance of youth driven by its self-involved, energetic whirlwind titular character.
Superbly acted and rich with subtext, this is a melancholic existential crisis and cynical meta-take on the nature of celebrity anchored by a pair of stellar performances.
An "Avengers" movie featuring HYDRA, Ultron (one of the great Marvel Comics villains of all time) and the Hulkbuster armor in full action should be better than "good."
The focused, thought-provoking and compelling science fiction drama "Ex Machina" is arguably the best film released this spring, could end up the best sci-fi of the year and will absolutely be in the "best movies of 2015" discussion.
Just as the supernatural horror and "found footage" genres began to feel stale, then comes along the creative and unexpectedly refreshing "Unfriended," a movie that will surely rank among the best of the "found footage" sub-genre.
Director Noah Baumbach has tackled the coming-of-age teen years ("The Squid and the Whale") and the arrested development of modern twentysomethings ("Frances Ha") -- and his latest film takes on a full-on midlife and existential crisis.
The latest entry in the "Fast and Furious" series continues the franchise's unlikely trend of somehow improving with each new flick.
One of the most interesting exercises in cinematic storytelling, the trio of "The Disappearance of Eleanor Rigby" feature films, tracks the wrong side of a romance from his and her perspectives.
This indie horror flick absolutely capitalizes on its refreshing premise - itself a meta-swipe against the countless dull slashers that stigmatized casual sex - and brilliantly executes a tense, innovative and piece of American cinema.
There are worse and more cloying young adult film adaptations out there, but "Insurgent" sets a new disappointing baseline for lazy YA movies.
"Chappie," the latest film from director Neill Blomkamp ("District 9"), is a frustrating, soulless and heavy-handed AI tale.
Shouldn't a movie whose core subject matter is the racy, brow-raising world of BDSM be more ... exciting ... on any level?
This is a rich tapestry of dreams, love, resentment and all the ups and downs of a doomed relationship.