This unnerving drama may be many things to many people, but there is one ironclad certainty: you'll either love it or hate it.
“Everything I learned I learned from the movies.”
― Audrey Hepburn
'Second Nature' film review: Indie flick flips the gender roles
With the tone and tenor of a raunchy CW show, this playful comedy is unequipped to deal with its gender inequality themes.
'Detroit' film review: Serviceable drama fails to hit its mark
The horrifying events of the 1967 Detroit riots are brought back to the zeitgeist in this perfectly fine drama that should have been better given its acclaimed director and its vitally important subject matter.
'Columbus' film review: Precise & elegant cinematic minimalism in practice
Sensitive and eloquent, this indie drama is the visually-stunning, cinematic hybrid of "Lost in Translation" and "Before Sunrise."
'I, Daniel Blake' movie review: Powerful, moving humanity takes on cold bureaucracy
Heart wrenching, humorous and quietly powerful, the masterful drama effectively puts a human face on those who fall through the cracks of government red tape.
'Band Aid' movie review: Songs in the key of marital discord
Don't be fooled by the cute "troubled couple turn their marital blowouts into songs" premise - this indie flick has more dramatic depth than it lets on.
'Baby Driver' film review: Stylish, slick veneer on a mediocre flick
Strip away the chic gimmicks and all that's left is a thin romance-action-crime flick sprinkled with some cool driving action sequences.
'Cars 3' movie review: Nice final lap for Pixar's weakest franchise
This third entry in the "Cars" series is (at last) an entry from the troubled franchise worthy of the Pixar pedigree - but one that still finishes in the middle of the pack.
'The Hero' movie review: Perfectly cast Sam Elliott shines
A funny, bittersweet and charming performance earns the veteran actor a spot on the shortlist for best performances of the year.
'Manifesto' movie review: Cate Blanchett puts on a one-woman acting masterclass
Cinema is better because bold films like experimental work exist.
'Transformers: The Last Knight' film review: Time to put this franchise in the scrap heap
Even by Michael Bay standards - the latest "Transformers" slog fails on almost every front, frustrates in almost every way and is somehow astonishingly confusing.
Interview: 'The Farthest' director Emer Reynolds
Documentary filmmaker explains why the story of two space probes remains vitally important today.
2017 AFI DOCS capsule feature documentary reviews
Short reviews for several feature-length documentaries screening at AFI DOCS 2017.
'Endless Poetry': Seattle International Film Festival movie review
Only a movie so avant-garde, so self-important and so willfully nonsensical could be pompous enough to call itself "Endless Poetry."
'Trouble': Seattle International Film Festival movie review
A great cast, intriguing premise and nice dialogue are squandered in this disappointing film.
'Say You Will': Seattle International Film Festival movie review
What seems like pretty standard film festival indie fare develops into a compelling coming-of-age drama.
‘Wonder Woman’ film review: An inspiring, fun adventure worthy of the iconic superhero
After years of dark and gritty superhero flicks, this is an inspiring hero on a grand and exciting adventure.
'Lane 1974': Seattle International Film Festival movie review
Poignant, and richly textured, this coming-of-age drama feels like stepping into a time machine and landing in the mid '70s.
'Infinity Baby': Seattle International Film Festival movie review
Director Bob Byington's latest offbeat venture is the dystopian comedy where big pharma accidentally creates babies that don't age.
'The Hippopotamus': Seattle International Film Festival movie review
This acerbic adaptation is a wickedly funny comedy-mystery anchored by a great lead performance surpassed only by its sharp script.