This faithful sequel is powered by a leading performance worthy of the beloved Disney classic.
“Everything I learned I learned from the movies.”
― Audrey Hepburn
'Spider-Man: Into the Spider-Verse' film review: Amazing. Spectacular. Sensational. Superior.
This electrifying and game-changing flips the Spider-Man formula entirely for a film that's every bit a celebration of the wall-crawling hero as it is a work of pure entertainment.
2018 Seattle Film Critics Society awards nominees
From the critics group that nominated the goat from ‘The Witch’ as Best Villain in 2016 and correctly bestowed the Best Picture of 2017 title to ‘Get Out,’ here are the SFCS nominees for 2018!
'Roma' film review: A sublimely intimate epic
Alfonso Cuarón’s quietly heartbreaking drama is an epic on the most personal scale.
'Boy Erased' film review: Well-intentioned, heavy handed & predictable.
Despite a strong trio of performances, the controversial practice of gay conversion programs deserves a better film than this well-meaning film.
Film review: McCarthy & Grant prove they're the real deal in 'Can You Ever Forgive Me?'
McCarthy’s turn as an acerbic, antisocial alcoholic forger punches her ticket to award season glory.
'Suspiria' film review: Intermittently hypnotic, ultimately a boring slog
The most shocking aspect of this supernatural horror flick isn't its mesmerizing or violent moments - it’s that it is so boring.
'What They Had' film review: Perfect cast highlights this moving tearjerker
Hilary Swank and Robert Forest dazzle in one of the season's cinematic gems.
'Beautiful Boy' film review: Humanizing, heartbreaking portrait of addiction
This muted drama is a forthright look at drug addiction’s destructive impact on a family.
'First Man' film review: Gosling, Chazelle re-team for space exploration drama
The space race drama is a cinematic marvel punctuated with nerve-racking flight sequences - and a lot of slow-paced drama that borders on boring.
'A Star Is Born' film review: Latest remake is energized if uninspired
More than an incredible soundtrack, this 2018 version affirms star Lady Gaga's talents in front of the camera as well as writer-director Bradley Cooper's vision behind the camera.
'Free Solo' film review: Watch a man take-on a half-mile high rock without ropes
This breathtaking National Geographic documentary connects intimately with its subject - a focused climber intent on taking on a seemingly impossible feat.
'White Boy Rick' film review: McConaughey steals this '80s drug underworld drama
The frustration of this true crime drama is not with its stellar ensemble cast but with its wandering story of a teen criminal.
'Mandy' film review: A vengeful, axe-wielding Nic Cage takes on an evil cult
A cocaine-fueled and vengeful Cages tears a swath of bloody vengeance in this hypnotically mesmerizing, intensely personal and metal as hell horror flick.
"Jurassic World: Fallen Kingdom" film review: Time to close the park
The latest entry in the dinosaur rampage franchise is somehow a natural progression from the themes of the heady Michael Crichton novel - and the stupidest entry in the series.
'On Chesil Beach' film review: Saoirse Ronan wasted in an uneven drama
Not even a wonderful Saoirse Ronan performance, some incredible cinematography and an unconventional story framework save the British drama from being completely forgettable.
Interview: 'The Most Dangerous Year' director Vlada Knowlton
Filmmaker Vlada Knowlton on what compelled her to make the documentary, why it remains timely and how it addresses timeless aspects of civil rights and discrimination.
'Solo: A Star Wars Story' film review: Light, fun ride with a beloved scoundrel
It took eleven films and more than 40 years, but the Star Wars franchise finally got its first purely and unabashedly fun romp with this Western-heist flick.
'Disobedience' film review: A coiled exploration of self-denial, faith
Anchored by three strong performances and a light, graceful storytelling touch, this romantic drama has a taut intensity as it explores faith, denial and identity.
'Revenge' film review: Watch a socialite become the badass of 2018 cinema
If ever there was a hybrid of art house cinema and exploitation flick, it's this bloody ride.